Archive for January, 2010

Fridays with … Jill Barber

Friday, January 29th, 2010

Jill Barber

(Jill Barber. Photo by Matt Barnes.)

The last time we spoke with singer-songwriter Jill Barber, she had just released her latest album, the sultry, jazzy Chances. Since that time, Jill has continued to tour to promote the album, which was recently named one of Spinner.ca’s top 10 Canadian albums of the decade.

The multi-time East Coast Music Award winner and Juno nominee was born in Ontario and now lives in Vancouver, but it was on the east coast that her artistic talents were first noticed and Jill will tell you the east coast still holds a special place in her heart.

Jill was gracious enough to join us for our Fridays with … series in advance of her upcoming Maritime tour dates (see dates below).

1. What are you up to these days, musically or otherwise? (Feel free to plug whatever you’ve got coming up.)

I am shooting a new video for a song that I recorded in French, Tous Mes Reves, in Montreal … then I am doing a tour of Quebec and the Maritimes with dates in Saint John, Truro, Lunenburg and Halifax. On Valentine’s Day I am playing The Confederation Centre with Symphony PEI. I’m also writing for my next album which is due out at the end of 2010.

2. How did you get into the music business and what was the first major lesson you learned once you got your feet wet?

My older brother (Matthew Barber) played guitar. I taught myself a few chords, wrote some songs and started putting on basement shows back when I was in high school. Before long I graduated to club gigs. In my twenties I decided that I wanted to devote my life and career to music and haven’t looked back. The lesson I learned is that making it in the music business takes a lot more than just talent; it takes a lot of energy and ambition.

3. What song or album have you been listening to most lately?

My two favourite albums of late are Bahamas Pink Strat and Melody Gardot’s My One and Only Thrill.

4. What’s your favourite way to waste time or relax?

Sitting by the fire with a glass of wine and good conversation.

5. The Internet and social media are allowing artists to get closer to their fans than they ever were in some respects. What are your thoughts on this?

I think it’s a great way for people to connect with their fans and for fans to “follow” their favourite artists. I’m not a fan of Facebook really, it’s too complicated and I came into it too late. I missed the boat. But I am a Twitter girl. I like being forced to be concise.

6. If you weren’t in the music industry in some capacity, what would you be doing today?

If I spent my days imagining plan Bs then I would get much done, would I?

7. What’s the most interesting thing you’ve learned recently?

That there are more pyramids in Peru than Egypt.

8. If you could hit the “delete” button on anything related to music (a song, artist, trend, whatever), what would you delete?

That’s a bit harsh don’t you think?  I admire everyone who makes music and stands behind it. That said, I will hit the mute button from time to time

9. What’s your favourite thing to drink (alcoholic or otherwise)?

A really lovely pinot noir from California or an Australian shiraz.

10. Finish the sentence below and please elaborate on what you mean: 

The east coast music scene… will always hold a special place in my heart because it’s where I found a musical community to be a part of.

11. What’s the next thing you want to accomplish, musically or otherwise?

A new record.

Check out Jill at any of the following Maritime dates:

Feb. 7 – Saint John, N.B. @ The Imperial Theatre
Feb. 10 – Truro, N.S. @ The Marigold Cultural Centre
Feb. 11 – Lunenburg, N.S. @The Pearl Theatre
Feb. 12 – Halifax, N.S. @ St. Matthew’s Church
Feb. 14 – Charlottetown, P.E.I. @ The Confederation Centre

Check back to EastCoastNoise.com next Friday for a chat with: We, The Undersigned’s Jai Sadler

Fridays with … Alicia Penney

Friday, January 22nd, 2010

Static in Action

(Static in Action are, from left, Hector Smith, Harry Doyle, Alicia Penney.)

Welcome to a new feature here on East Coast Noise, Fridays with … . This will be updated every Friday, and I already have a handful of them banked, so count on visiting us each Friday for some news and chatter from the east coast.

My hope is that I can help introduce you all to many of the players in the east coast music scene – not only musicians (though they will be featured in the bulk of these), but also other journalists, record label folks, photographers, promoters and so on. The idea is to shine a spotlight on someone new every week. Some you’ll have heard of, while others maybe you haven’t.

I’ve e-mailed dozens of folks in the industry the same 11 questions – some music related, others not – and they can simply fire back their answers at their leisure. I’m happy to report that this feature has been supported already by several fine folks, so I expect this to continue for some time.

Anyway … kicking off this little feature is none other than Cape Breton singer-songwriter-musician Alicia Penney. You may know Penney from the now-defunct (and greatly missed) rock group Yellow. The band toured the east coast for a time and put out a few releases along the way. Penney also served a stint in The Tom Fun Orchestra and she’s now playing bass with punk rockers Static In Action.

Links to Penney’s various projects are below. But enough from us … here’s Alicia:

1. What are you up to these days, musically or otherwise? (Feel free to plug whatever you’ve got coming up.

I am playing bass in a punk rock act called Static in Action. We recently released our self-titled debut double album! It has the same 9 songs on each disc, the B-side is all-acoustic alternate versions of the regular songs. We are currently in the process of  booking a tour to southern Ontario and Quebec for the spring.

I play solo sets in Sydney every once in a while too. Oh, and I play in a Decemberists cover band called The Novemberists, which is incredibly fun to do.

2. How did you get into the music business and what was the first major lesson you learned once you got your feet wet?

Phewf. That is a big question. I guess I started with playing in bands when I was in junior high / high school; I don’t know if that’s considered “the biz” or what. But I guess my first real band I was in was a rock band called Yellow. We recorded an EP and a demo, did a bit of touring, and suffered through lots of lineup changes until half the band moved away and I gave up.

Then I played in the Tom Fun Orchestra for a while, also did a bit of touring, recorded a fancy album and then the band and I parted ways a little more than a year ago.

All the while I was playing either solo or with my Responsibility band – I put out a little demo myself and tried hard to record a real album but it never panned out. Still have my fingers crossed with that one.

I’d say the most important lesson I ever learned about music and the music business is when it starts to feel like work – RUN! Continuing to play in a band when you’re not having fun is a really bad idea. And I mean, it’s not like you’re gonna make enough money to make it worthwhile as a touring musician – oh wait that’s two lessons.

3. What song or album have you been listening to most lately?

Lately I have been listening to All of Our Names by Sarah Harmer a lot, Bear Music by Mark Bragg and The Hazards of Love by The Decemberists because I am trying to learn it.

4. What’s your favourite way to waste time or relax?

I read a lot of books. I’ve even been getting into graphic novels lately. I also really enjoy National Geographic magazine. I like to just chill out by myself and watch TV shows on my computer (Do you know House M.D. is based on Sherlock Holmes?), and I also like to bake. Last night I made a killer baklava.

5. The Internet and social media are allowing artists to get closer to their fans than they ever were in some respects. What are your thoughts on this?

I love it. I absolutely love the fact that I can follow my favourite artists on twitter and feel like I know something about their personality. I find that feeling kind of enhances the way I feel about music much of the time.

As an artist it’s a little daunting because there are so many tools available to you at any time that you can get overwhelmed and worry you’re not using them to their full potential. And if you have access to these then all of the other bands out there do too. But it works the other way too; I mean, some guy from England found my band’s myspace and asked if he could mail order a CD, which was incredibly cool.

6. If you weren’t in the music industry in some capacity, what would you be doing today?

I would probably be a scientist.

7. What’s the most interesting thing you’ve learned recently?

I learned in National Geographic that doctors in the states are making these prostheses now that sense your nerve impulses and move accordingly. Before they can fit you with one they do surgery and rearrange your nerves into bundles so that they are in the right spots for the impulse receptors. The next step is to make the prostheses so that they can sense heat and pressure and figuring out a way to send that info back into your nerves. They think that soon they will just be able to put a remote transmitter in the brain stem or something like that and it’ll wirelessly tell the prosthesis to move, and receive sensory information which it then relays to the brain. That is freakin’ interesting.

8. If you could hit the “delete” button on anything related to music (a song, artist, trend, whatever), what would you delete?

Indie rock bands making music videos featuring people dressed in animal suits. What is up with that?

9. What’s your favourite thing to drink (alcoholic or otherwise)?

I enjoy a “cold one” now and again, preferably of the Oland’s variety. For non-alcoholic, I would have to say, I do like to drink not-from-concentrate grapefruit juice. Zingy.

10. Finish the sentence below and please elaborate on what you mean:

The east coast music scene … is a pretty special thing, if you get into it from the right angle.  There are a lot of really awesome, dedicated people who play in bands and put on shows. I think the feeling of being outside of central Canada and having smaller populations makes people feel more camaraderie with each other.

The other side of that coin is that it can be pretty clique-y and exclusive if you’re from outside of it or are trying to break into certain circles.

11. What’s the next thing you want to accomplish, musically or otherwise?

So many things. I want to do a lot of touring with Static in Action. I want to record a real solo CD. I want to write a lot of really awesome songs.

Non-musically, I want to go back to school. Get started on that scientist thing.

Catch up with Alicia’s many projects here:

Static in Action: www.staticinaction.com or www.myspace.com/staticinaction
Solo stuff: www.myspace.com/aliciapenney
Yellow: www.myspace.com/yellowmusic

Check back to EastCoastNoise.com next Friday for a chat with: Jill Barber

Jenocide just wants you to dance

Tuesday, January 19th, 2010

Jenocide

(Jenocide, Photo by kelly clark fotography, typicalgirl.com)

Jen Clarke says she doesn’t want to appear preachy, but if you listen to what her alter-ego, Jenocide, is saying in her danceable, hook-filled songs, there is undoubtedly a feminist point of view coming through.

“I do have political ideologies about feminism as an undercurrent to all that I do, but I never want to alienate people,” Clarke says. “It’s more about inclusiveness and empowerment than alienating (anyone). I want everyone, you know, guys and girls, to dance and have a good time above anything political. I just want to have fun songs with fun hooks that people want to dance to.”

Jenocide, also featuring beatmaker Ed “Erenzi” Renzi, is bringing its dance party to New Brunswick and Nova Scotia over the coming few days (dates listed below) with Ruby Jean & The Thoughtful Bees and A/V.

Jenocide, which is touring in support of the full-length album Machines That Make Us Wet, was born out of Clarke’s five years of being the only girl in otherwise all-guy bands like HOTSHOTROBOT and Windom Earle.

“When I started going to shows and got involved in the indie scene probably like five or six years ago, there were no girls in rock bands, really; maybe a couple. There were no girls doing their own thing in terms of something that was more aggressive. There’s always been hordes of girls with guitars and stuff like that. I never identified with stuff like that.

“I would go out to punk shows and other kinds of shows, and there were no girls and it was so depressing.”

Finding no one she could relate to, Clarke says she was inspired to create a strong female character, taking elements from some of her role models like Madonna, Blondie’s Debbie Harry, Le Tigre and Peaches.

Her aim was to create “strong voice for women, something that women can identify with” while ensuring that the music was still fun. She says women are bombarded on the street, in magazines and other media with images of what they’re supposed to look or act like. She wanted to cut to the heart of those issues.

When asked about another current strong female musician and character, Lady Gaga, Clarke admits it’s not the first time she’s heard the comparison.

“I think like six months ago I would have told you that you were an idiot, because my initial, knee-jerk reaction to her was like, ‘Oh great, another one of these bullshit popstars that’s like content-less.’ But she’s a very smart woman, and I think she surrounds herself with very smart people. I’m intrigued as well with her image, and she definitely is a good woman, pop-culture figure right now. I don’t take offense to that, I think she has awesome style. And certainly she’s a performer just as much a musician.”

Clarke says “there’s a lot of bullshit” to deal with as a woman trying to do something different, particularly on the east coast, which has a wealth of more traditional folk, rock, metal and country acts, but a smaller scene of pop or dance music.

Clarke says she hasn’t met any resistance to the Jenocide project, but it has been a challenge to find peers to perform with.

Since debuting with her EP bikerides. barrettes. bruises. last summer, Jenocide has performed mostly in the Halifax area, bringing out men and woman alike to dance. She says women seem to really connect with what she’s doing, and she has no doubt she’s alienated a few men along the way.

“Jenocide has some strong opinions about girl power and getting rid of guys if they’re not good for you,” she says. “I’ve alienated a lot of guys, I’m sure, at shows because some people feel threatened by it because it’s a pretty aggressive, in-your-face mentality when I’m up on stage saying, ‘If your boyfriend sucks, then fucking dump him.’ I mean, it’s tongue-in-cheek, right? It’s not militant, but it can be interpreted that way I’m sure by some people who maybe feel defensive about who they are and they feel that they’re being pointed out.”

Clarke has two releases out now under the Jenocide banner. Her debut, she says, was a little more thrash while the follow-up LP was more dancey. Next, she’s aiming for a bit of a hip-hop feel. Expect another release from Jenocide in the not too distant future.

In the meantime, she wants everyone to come out and dance their asses off. Here’s when and where you can do just that:

Jan. 23 in Saint John @ Blue Olive
Jan. 24 in Fredericton @ The Capital
Jan. 27 in Charlottetown @ Hunter’s
Jan. 28 in Moncton @ The Paramount
Jan. 29 in Sackville @ George’s Roadhouse

Jenocide’s albums can be bought online, at her shows or on iTunes.

Slowcoaster releases Acoustic Live

Tuesday, January 5th, 2010

Cape Breton’s Slowcoaster recently took a break from criss-crossing the country to record its first live album. Acoustic Live takes a look back at the last nine years of the band, delivering an acoustic slant on some of the group’s earliest work including tracks like Moth Caught, Washing Machine, Violent Sister and 420/421.

Acoustic Live was recorded in November at Riverview Rural High School in Coxheath, N.S. The performance was recorded by Jamie Foulds and Albert Lionais and mastered at Soundpark Studios.

Acoustic Live is available for digital purchase in a variety of formats here.

Jon Mullane releases new video

Halifax rock singer Jon Mullane recently released his new music video for upcoming single Sin City. The single and video are included on his new album Shift, due for release this month.

Haligonians are sure to recognize many of the downtown locales in the video. The video can be seen here.

Last Call Chernobyl join Warped Tour

Halifax-based metal band Last Call Chernobyl recently announced the tour dates they will be playing for the 2010 Vans Warped Tour.

After having won the Warped Tour Battle of the Bands at Nova Scotia Music Week in November, the band initially believed they would be performing at four dates in the northeast with the Warped Tour, but have recently found out they will be playing 12 dates all across the U.S. and Canada with such established acts as Every Time I Die, The All-American Rejects, Reel Big Fish, and Andrew W.K. throughout June and July.

Set to release its debut album in time for the tour, Last Call Chernobyl will be taking to the stage with some of the loudest and heaviest acts from across the continent and intend to prove that they can stand alongside of the best of them this summer.

Formed in late 2007, Last Call Chernobyl has shared the stage with such acts as Means, Orchidʼs Curse, We The Undersigned and others.

D5R keeps on growing

Ever-growing heavy music label Diminished Fifth Records out of Nova Scotia (which is nominated for an East Coast Music Award for Record Label of the Year) has signed two more acts to its roster of bands. Late in 2009, the label signed New Brunswick thrash band Rusted Dawn. Just this week, the label announced the signing of The.Daisy.Anthesis.

Rusted Dawn emerged in 2004, releasing two independent EPs and touring Canada since. The band’s debut full-length The Black Tides of War is scheduled for a spring release via D5R.

Meanwhile, The.Daisy.Anthesis is also planning a spring album release. The band released a free download of the track Quietness to Pacify, a tune from the upcoming album Surface and the Sky, due in March.

Scott “Stooly” Miller from the band issued the following statement in a press release: “We’re really excited to be working with D5R for our debut album. It’s nice to work with someone who believes in us as much as we do. Surface and the Sky was recorded at The Recordio Studium and was done 100 per cent on our own, so we feel very strongly about our final product and we’re pumped that we have D5R to get it the attention it deserves.”

Atlantic rappers featured on compilation

This news comes out of Ottawa, but it features five east coast acts. Brockway Entertainment (run by east coaster Troy “Brockway Biggs” Neilson) has compiled its 23 favourite Canadian rap tracks of 2009 and packed them all onto one album. The ‘2010 Canadian Rap Future Superstars’ compilation is non-profit initiative aimed at providing exposure for up-and-coming Canadian rap artists.

The album can be downloaded for free here.

It features the following artists and tunes from the east coast:

Monark (Fredericton & Saint John) – Playground feat. Phakt
Hellafactz (Halifax) – Thought Of U feat Yvette Jarvis & Michael Beals
Ricca Razor Sharp (Calgary & Clarks Harbour, N.S.) – Rampage
Joe Buck (Halifax) – Who We Are feat Jay Bizzy
Ghettosocks (Halifax) – R. Kelly’s Ghostwriter Skit feat. Jordan Croucher

The diverse 2010 compilation features 34 Canadian artists and 24 Canadian beatmakers, spanning 11 Canadian cities.

The compilation idea began in 2003 as a handful of burnt CDs made by executive producer Troy Neilson for friends and family during the winter holidays. In 2005, Neilson made extra copies, which were sent to campus radio and other media outlets. Since then, the success of the compilation has continued to grow, while annually topping the campus radio rap charts.

Anyone interested in getting involved with next year’s compilation is encouraged to contact troy@brockwayent.com Artists wishing to be considered for next year’s compilation are encouraged to submit their music via SonicBids ( SonicBids.com/CanadianRapFutureSuperstars ) or by sending full CD to Brockway Ent., PO Box 90014, Ottawa, ON, K1V 1J8.